Sunday, March 25, 2012

Hills Have Eyes - Strangers

Hills Have Eyes - Strangers
HILLS HAVE EYES / STRANGERS 2012.4.18 on sale GOME-1 Â¥1980(include tax) アメリカの音楽が世界の音楽と誰が決めた!と言わã‚"ばかりに全てã‚'業火の炎で燃えつくすようなæ€'りã‚'表現、それに加えてå"越されたスãƒ"ード、メタリックなリフ、メロディー、テクニックã‚'兼ね備えている。さらに所々に散りばめられたシンガロングãƒ'ート、クリアãƒ'ートで楽曲にメロディーとキャッチーさã‚'ç"£ã¿å‡ºã—た。今作のミックス/マスタリングエンジニアにはIn Flames, Arch Enemy, Soilwork, Bring Me The Horizonã‚'手掛ã'たDaniel Cardoso,Fredrik Nordstomã‚'èµ·ç"¨ã—世界に勝負ã‚'かã'る!!国内盤にはボーナストラックとして彼らが最初にリリースしたEP「All doves have been killed」ã‚'丸ã"と7曲収録の全ï¼'8曲! For All Fans Of Bring Me The Horizon, Bullet For My Valentine, Parkway Drive, Story Of The Year -member- Fabi! o Batista - Vocal Nuno Silva - Drums Luis Silva - Bass Miguel Borrego - Guitar -Biography- 楽しむã"とが俺たちの姿勢。 HILLS HAVE EYESはポルトガル共å'Œå›½ã®æœ€å—端の港ç"ºã‚»ãƒˆã‚¥ãƒ¼ãƒãƒ«ã«ã¦çµæˆã•れた。 2004年、前身のバンド名ã‚'一新し、再始動、ポルトガルのミュージック・シーンにおいてè'—名であるRicardo Espinhaã‚'プロデューサーに迎え、デãƒ"ューEP『All doves have been killed』の制作に着手する。バンドの始動ã‚'å'¨çŸ¥ã—てもらう目的でEPã‚'発表したとã"ろ、複数のレーベルよりオファーã‚'受ã'、交渉の結果、ポルトガルのレーベルRECITAL RECORDSとå¥'ç´„ã‚'結ぶ。 2006å¹´12月、EP『All doves have been killed』ã‚'リリースし、北から南へ、ポルトガルの各地でライブã‚'行い、たくさã‚"のファンベースã‚'築いた。2007年半ば、メンバーの交替という辛い時期ã‚'経é¨"するが、2008年ついã! «1st ...





Fondant Cake for little Lara

Fondant Cake for little Lara






Amon Duul III - Visions of Fire.1989

Amon Duul III - Visions of Fire.1989
AMON DUUL (UK): DIE LOSUNG (1989) 1) Big Wheel; 2) Urban Indian; 3) Adrenalin Rush; 4) Visions Of Fire; 5) Drawn To The Flame Pt. 1; 6) They Call It Home; 7) Die Losung; 8) Drawn To The Flame Pt. 2. Unlike Fool Moon, this second album, recorded more or less at the same time, does not even try to make a point. Unless the point is made by Bob Calvert, but I cannot, and will not, decipher it: for about two-thirds of the record, he «sings» in such an utterly ugly «nasal hoarse» tone that it would be impossible to take any of the words seriously â€" provided you could make any of them out in the first place. Quite ugly, really. As for the music, this time it is not even all that experimental. It's all mid-tempo or moderately fast «rock», with chemical-sounding, utterly boring, guitar and clinical-sounding, utterly dated, synthesizers (the latter, courtesy of a couple members of The Ozric Tentacles, a band which is much better appreciated on its own, if there ever arise a ne! ed to appreciate them) â€" and the mood never ever changes, at least, not until the last two tracks which are sung by the eternal child Julie Waring: unfortunately, she comes in way too late to dissipate the depressing grey clouds, which are the only ingredient of the entire atmosphere of Die Losung. Sitting through fourty minutes of this muck is an experience only comparable in quality to sitting through some proverbially dull lecture on a subject in which you do not have the most remote interest (and I have ...